Clu Clux Clam (2002)
Whenever my interest in Merzbow begins to wain, and I start to feel that after hearing the 50 odd Merzbow records I own that I’ve heard it all before, he comes along and surprises me.
Fantail fits into the easier-listening end of his spectrum. Not that it isn’t noisy, but it’s certainly not as harsh and aggressive as something like Pulse Demon or Venerology. Instead, we’re treated to a collection that’s based on damaged guitar playing and meditative throb. Opening track Clouds is a complete corker that kicks off with what sounds like a blown-out bass guitar and then morphs into some doomy, Boris style drone before petering out in a haze of blips and blurps. Magnificent stuff. When Merzbow puts thought into his compositions he proves himself light years ahead of his contemporaries.
Overall, Fantail crosses a much broader palette of sounds than Mr Akita usually plays with. Mountain is based on a series of higher pitched sounds, almost like running water, which dance with each other in an amazingly playful way. On Waterfall, he brings back the guitars for some more doomy drone accentuated with a ringing Black-Metal buzz, which he then destroys in an explosion of digital scree.
The distinction between each track on Fantail calls to mind Merzzow but Fantail isn’t as consistent a record. Caterpillar 2002 and the live track that closes the record, are pretty standard (although decent) Merzbow fare. Still, fans who prefer the lighter side of Merzbow, or people looking for an entry point into his massive catalogue will find plenty to like here.