Category Archives: Releases 2008

New releases: Thom Yorke

Thom Yorke –  The Eraser Rmxs

( XL Recordings, 2008 )

As a general rule I steer clear of remix albums. I picture them to be a collection hastily of produced tunes that deflower originals.

Perhaps the only remix album I’ve enjoyed to-date is Bjork’s Telegram, because it was such stark and confronting take on her early pop songs. It was a sign of what she had in store for us.

So I was worried when I discovered that Thom Yorke’s delicious solo debut, The Eraser was being released as a remix album. That is, until I saw the black and gold-foil, fold out packaging and the music nerd in me bubbled with greedy desire. Well, that and the impressive list of producers attached to the album – including Burial, The Bug and Four Tet.

I’m now thrilled to own this because The Eraser Rmxs holds its own against its predecessor. In fact, Mr Yorke could easily have released this as the original.

Remix albums are generally disjointed affairs, but much care has been given to flow of this record. Although the producers keep their individual styles (Burial’s creepy dub-step makeover is the most obvious) each track feels like part of a greater whole.

Nor is there anything as obvious as dumping a house rhythm or break-beat under a sliced n’ spliced vocal sample. There’s pretty much none of that here. In fact all but two of the tracks here rely on the sweet and soulful vocals that made The Eraser such a joy in the first place.

Each of the nine tracks ebb and flow, taking you on a short walk within a greater journey. No one over indulges or flexes their production muscles. These tracks actually breathe.

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The Bug turns Harrowdown Hill into an industrial stomp that would give Trent Reznor a hard on. Four Tet picks up on the joy of Atoms for Peace and turns it into a sun shower of xylophones and music boxes. Christian Vogel serves up two versions of Black Swan. The first is a jangly drone circa the Velvet Underground, which hangs over a mid-tempo hip-hop beat. However it’s his ‘bonus beat’ and the album’s closing track that I’ve got on repeat – Vogel inverts Black Swan’s funked up bass line until it resembles something completely abstract, hooked on a loping four-to-the-floor rhythm and dub flourishes. Yorke’s vocoded voice drifts in and out of the mix “because this is fucked up. Fucked up…”

Yes, it definitely is fucked up, Mr Yorke; because The Eraser Rmxs shouldn’t be such a solid album. Given those responsible for the remixing are all experienced at creating unique and interesting compositions, I shouldn’t have been a doubter. Still, I’d be interested to know how much influence Mr Yorke had over the structure and general vibe of these tunes, such is their emphasis on ‘song’.

But whatever, if you’re a Radiohead fanatic or not, this comes highly recommended.

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Top Ten of 2008

What better way to kick off this blog, then to recap your humble author’s top ten for 2008?

During 2007 I was all about exploring the weirder and noisier side of the musical spectrum. However, 2008 heralded a return to the joy of…well…actual song writing. Which isn’t to say there aren’t any blackened pits of noise in the following list of favourite albums released in 2008.

Bloc Party – Intimacy (Wichita/Vice)

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I’m not gonna’ make any bones about my love of Bloc Party’s pop. If it makes you feel tough than go ahead and tease the band for being a success. Deep down you know Bloc Party channel the best of British post punk from the 80s and give it a light coat of poptastic plastic without losing their balls. They can write a hook like nobody’s business and then, in the blink of an eye kick your ass with a rhythmic, effects laden freak-out. Another gem from an exciting act flirting with the mainstream.

Fuck Buttons – Street Horrsing (ATP Recordings)

fuck-buttonsWhere the fuck (pardon the pun) did these guys come from? Skull crushing electronic drone and tribal drums, that waltz with music box melodies and Fischer Price screams. It’s heavy as fuck, but somehow it conjures up a kaleidoscope of sunflowers, My Little Ponies and Rothko. I’ve played this record to the bone, and their performance at the All Tomorrow’s Parties festival on Mt Buller was mind blowing.

Foals – Antidotes (Warner Music/Transgressive Records)
foals_antidotesReading through Mojo one day I noticed a tiny blurb about Foals in a list of ‘up and comers’. The raggedy looking kids in the accompanying photo intrigued me so I picked up a copy of this, their debut album and freaked the fuck out. The rhythm section is all reggae, ska and dub jams but the intricate and multi layered guitar harmonies are the bastard sons of some bong-misted (dare I say it) math rock outfit. It’s dreamy but danceable, somewhat earnest, but oh so fun.

Deerhunter – Microcastle/Weird Era Cont. (Kranky)
deerhunterI love a band that evolves over the course of time, and on their third release Deerhunter steer further away from their jangly noise beginnings and deeper into 60s pop. Albeit a slightly obtuse take on 60s pop, where the sun peeks out through passing clouds, but its catchy and hummable nonetheless. It’s also a major feat that Microcastles was released with a second disc of material, Weird Era Cont. that eclipses the tunes on the original album.

Sunn O))) – Domkirke (Southern Lord)
sunno_domkirkeThis amazing live, limited addition, vinyl only album was a true highlight of 2008. Recorded in a Norwegian cathedral, and featuring Earth’s Steve Moore on organ, Domkirke takes the surreal and meditative nature of Sunn O))) to a new place. Cloaks donned, and dry ice aplenty, OMally and Anderson continue to replace the guitar with whatever else they can find to conjure the low-end frequencies they cherish. Shifting horns, vibrating bass, organs and electronic squall are given plenty of room to bathe in the cathedral’s acoustics. The guitars, when they do arise, are reminiscent of the atonal twang OMally plays with in his side project KTL. The end result is a much warmer and mysterious Sunn O))) than you might be used to.

Earth – The Bees Made Honey in the Lion’s Skull (Southern Lord)
earthSpeaking of Earth, this gorgeous album fell under the radar upon its release. Although it continues the desert and tumbleweeds theme of its predecessor, 2005’s Hex, the arrangements on Bees Made Honey in the Lion’s Skull are nowhere near as sparse. A broader scope of instruments and guitar sounds makes for a much fuller sound. Achingly slow, totally lush; this leaves their early drone records for dead.

Snowman – The Horse, the Rat and the Swan (Dot Dash Recordings)
snowmanThe Cramps have mated with the Birthday Party and produced Aussie band Snowman. The group’s third album is their strongest to date. Dark, brooding and violent rock that twists and turns where you least expect it. Even their ‘ballads’ are threatening. The first few tracks are relentless, but the ride smooths out into a creepy trip through a midnight swampland. Forget The Horrors, turn up Snowman.

Gojira – The way of all flesh (Listenable Records)
gojiraThis is my first foray into French metal band, Gojira and I’m completely hooked. It’s awesome to find a metal band that’s NOT banging on about the typical metal topics, Gojira are passionate environmentalists and they’re pissed off about the state of the earth. At times they have the powerful groove of classic Pantera, sometimes they get all technical like Meshuggah, but the dual guitar harmonies also give their sound an old school flavour. Awesome driving music.

Lightspeed Champion – Falling off the Lavender Bridge (Domino Recordings)
lightspeedI know little about Dev Hynes’ much-hyped previous band The Testicicles. I picked up his latest project, Lightspeed Champion based on a favourable review and discovered a real gem. The folk-tinged tunes are quirky in a Pavement way, and his geeky, self-conscious lyrics are endearing. He sights Korn, Hip Hop and Crowded House as sources of inspiration which makes me desperate to hear what he comes up with next.

Gang Gang Dance – Saint Dymphna (Warp Records)
ganggangI was introduced to Gang Gang Dance only recently and am currently devouring this album and their back catalogue. Imagine the sound of two cars crashing; one being New York’s Hip Hop scene, and the other New Yorks 80’s No Wave scene. Throw in some world music and that’s kinda what Gang Gang Dance sound like. Oh, and sometimes they sound like Coctaeu Twins. Fucking amazing.

Honourable mentions
AutechreQuaristice (Warp)
Kings of LeonOnly by Night (RCA Records)
Genghis TronBoard up the House (Relapse)
Sonic YouthSY8 Andre Sider Af Sonic Youth (SYR)
Atlas SoundLet the Blind Lead Those who can see but cannot Feel (Kranky)